Guide to PRS Santana Guitars

Article by Ryan Allan

Instantly recognizable, historic, and crafted with the oversight of one of the worlds greatest players, the Paul Reed Smith Santana guitar series takes a rightful place among the elite guitars in the world. There have been several Santana lines introduced from PRS, and this article is intended to provide some background on each.

History

Before Paul Reed Smith was the global brand it is today, Paul Reed Smith the person actually handmade high end guitars for some of the worlds most renown players. Guitarists like Peter Frampton and Ted Nuggent were initially approached by Smith, whos guitars offered a break from the widely used Fender and Gibson exes, and marked most notable with enduring sustain and incredibly bold design.

You can see these distinctive elements in the modern PRS guitars found in music shops around the world, but imagine what the treat these initial players experienced when they cranked it up for the first time on a hand made custom.

Speaking of which, when he first met Paul, Santana supposedly borrowed one of his custom guitars for a gig. After playing it, naturally Carlos asked if he would construct one for his own. Thus the relationship was born, and the two have issued many lines of what are now classic PRS Santana guitars.

The Original SantanaIntroduced in the mid 1990s, the Santana I was offered to the market as a way to boost the visibility and acclaim of the PRS brand. It was a limited release, coming in only one color tone the signature Santana yellow.

Carlos Santana directly collaborated on the line, and you can see many of his playing requirements shaping its construction. The Santana I has 24 frets that gives the player a full four octaves without needing to bend a single string. We can all recall epic solos from Carlos that ring out the high tones, and one thing they strove for what that the PRS Santana I would make you sound nearly identical in your playing. (Well, maybe not completely)

With a maple top and mahogany body, the Santana I delivers superior performance and playability derived from the quality wood components. The guitar is hand built to perfection, and PRS takes every precaution to assure you will be happy with your guitar for years.

Overall the Santana I series is a little harder to find these days, and you can expect to pay in the bare least 3,000 USD. In my opinion the guitar is well worth the price, and it really is a prized item if youre a collector / aficionado.

A bold step forward: the Santana II and Santana III

Because Paul Reed Smith as a company was perhaps not as well known In the 90s as today, many people had never heard of the Santana I guitar. When the Santana II was introduced in 2000, new customers to PRS discovered a new gem that really captured their attention.

The Santana II is in many ways my first guitar love. I can remember plugging one into a Mesa 100W head and just going to tone heaven. It was THAT incredible. The guitar continued on the quality of the Santana I, and only increased its appeal and reach.

In terms of specs, you have a maple top with a selection of over 20 color tones to choose from. The fretboard is rosewood and the body of the guitar is mahogany, all PRS standards for the most part. You can get the vintage Santana tone of course through this guitar, although you also will find that it is very flexible. The humbuckers deliver that classic PRS tone, which can take your playing in a lot of directions.

A mid priced Santana for the moderate consumer

With the popular success of the Santana I and II, Paul Reed Smith decided to introduce a mid priced Santana model stripped back of some of the previous version premium features. Thus the Santana SE was born, and I must say PRS did an incredible job of balancing quality features with affordable pricing.

The Santana SE models are usually somewhere between $ 400 and $ 600 USD. This is about a quarter of what you would pay for the premium Santanas. The body of the guitar is still mahogany, but the finish does not really compare with the bright maple of the other Santanas. The SE utilizes the PRS SE pickups, and the tones is comparable but not quiet the pop you get with the high end.

Overall the Santana SE is a great intermediate guitar, and a logical choice for a backup road guitar. If youre looking to get a beginner a better than average guitar, then the SE is a great choice as well.

25th Anniversary and Special Edition Santana Guitars

There are some special edition Santana guitars out there from PRS. The 25th anniversary looks amazing from the specs on the official PRS website, but I have not tried one yet. Obviously one can assume that any Special Edition PRS is an amazingly incredible guitar.

Where to buy?

The best place to find deals these days is online, so if price is of importance to you then definitely take a look at the main instrument sites out there as a starting point. Musicians Friend and Guitar Center have massive online shops that you can browse with ease. Your best bet is keeping tabs on the Santana of choice and trying to spot a deal.

Ebay and Craigslist are other options, but I would advise proceeding with caution. There is an inherent risk to buying an instrument online used, as you never know exactly what you are getting. Each case will be unique, and my experience has been 50/50 in terms of finding quality sellers. If you are in doubt, always consult a friend or guitar tech and have them look over the specs of the listing.

In any case, when you finally do land the PRS Santana of your dreams, rest assured, you will not be disappointed.

Lyrics: Man its a hot one Like seven inches from the midday sun I hear you whisper and the words melt everyone But you stay so cool My mu equita my Spanish Harlem Mona Lisa Your my reason for reason The step in my groove Bridge And if you say this life aint good enough I would give my world to lift you up I could change my life to better suit your mood Cause you’re so smooth Chorus And just like the ocean under the moon Well thats the same emotion that I get from you You got the kind of lovin that can be so smooth Gimme your heart make it real Or else forget about it Ill tell you one thing If you would leave it would be a crying shame In every breath and every word I hear your name calling me out Out from the barrio you hear my rhythm from your radio You feel the turning of the world so soft and slow Turning you round and round

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Image by iwona_kellie
Jack Johnson concert at Rogers Arena (formerly General Motors Place) in Vancouver, BC.